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Album Review

Kid Dynamite
& The Common Man

Eric Corne may not be Kid Dynamite, but he sure as hell sounds like he is. He approached me a few months ago about listening to his album and I almost turned him down. I might have if I'd realized that Kid Dynamite & The Common Man had been released in 2008. I mean, I'm having trouble keeping up with the new releases (the real truth is, I'm not, there are that many) and don't relish stepping into the past unless there's a damn good reason. Well, Corne handed me a damn good reason.

What the hell happened in 2008 that made an album this good disappear? I hear really good albums which are and have been overlooked all the time, but Kid Dynamite is a step above. A big step. Not only are the songs solid (and I mean solid), the musicianship is as good as I've heard recently (and it should be, considering the names playing on the session). Add topnotch production and this should have been a hit--- even in a world in which the closest you can come is Lady Gaga or that Bieber kid.

I can give you ten reasons you should buy this album--- each an Eric Corne original. You want my advice, start with Kid Dynamite/Rancho Mirage, a two-parter which rocks and then, well, rocks. Kid Dynamite has just enough of that Black Crowes/Stones sound to please the palate and when the band slips into the instrumental Rancho Mirage, it's a time funnel of sound--- a modern version of Neil Young & Crazy Horse during the Everybody Knows This Is Nowhere era. I have yet to hear it enough to see if it will stand the test of time, but it put a barbed hook into me that I can't shake. I'm not sure if it is the Crazy Horse guitar sound which I love and hear all too little or if it is because it is the perfect tail on the perfect dog, but I dig it.

People are always saying that there isn't anything new in music anymore and I hear that, but only to a degree. Every time something really new comes along, those people would more than likely hate it anyway. No, Corne doesn't break new ground, but he doesn't break new ground in a way that impresses the hell out of me. The odd semi-Buddy Holly/fifties sounding I Know a Girl, for instance, with its over the top pedal steel and perfecto fifties style background vocals. The reggae-rooted Nobody Plays Here Anymore, the guitar deeply reverbed and echoed to just the right degree.

I suppose I could go on, but there is no substitute for hearing it. Corne has put the entire album on Bandcamp for your listening pleasure and you can stream all of the tracks at your leisure. If you prefer, try or just log on to his very own web page. Bandcamp allows digital downloads in a variety of formats, but if you prefer physical product, just head to CD Baby. See? I'm making it easy for you.

Look. I'm doing you a favor here. Do yourself a favor and check it out. What can you lose? A few minutes of your time? You guys spend too much time on Facebook and Twitter as it is. You say you like music? Put your ears where your mouth is. Eric Corne deserves that much. So do you.

Frank O. Gutch Jr.

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